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louisbjones.com |
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Louis B. Jones | |
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Novels | |
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| Ordinary Money | |
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 From the Book Jacket
Ordinary
Money is about money, luck, the American dream of success -- and a
wooden crate of twenty dollar bills in Wayne Paschke's garage.
Wayne doesn't know about the crate at first. It belongs to
his best friend Randy Potts. The feds claim that the bills are
authentic. Randy knows otherwise, but he doesn't want to tamper
with his luck.
But when members of their
families discover the loot, suddenly everyone's life changes from
ordinary to extraordinary. And Wayne and Randy find themselves
snared in a scheme so big and so perfect that it not only threatens to
disrupt their lives, but the entire global monetary system.
Jones
has a jeweler's eye for lyric conjunctions of the ordinary and the
grotesque, and he puts it to good use in this moving, funny, and
disturbing meditation on the counterfeit and the real in American life.
— Robert Hass, U.S. Poet Laureate
Smart, funny, uplifting, tender, and merciless, all at once …
a remarkable achievement for one novel.
— Los Angeles Times
An uproariously satirical book, the product of an opulent imagination.
— Sunday NY Times
It
is not just heartening, but surprising as well, to find so generous and
original a first novel. Wise and accomplished and funny, Ordinary
Money presents a vision of the interconnectedness of ordinary things.
— Howard Mittelmark, Philadelphia Enquirer
Wonderful … an unfailingly entertaining experience."
— Christopher Lehmann-Haupt- New York Times
Read full New York Times review
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| | | Particles and Luck | | | | | |  From the Book Jacket:
Particles and Luck
is the story of one night, two men, and an invisible third force that
had brought these two men together. Mark Perdue and Roger Hoberman have
nothing in common — except the joy of adjoining yards. Mark is a
whiz-kid physicist who knows that the "genius" stature and the endowed
chair at Berkeley that have been accorded him are bits of dumb luck.
Roger is the owner of a pizza franchise whose luck has turned dumb
— in financial and marital distress, he has been denied
child-visitation rights but not babysitting obligations.
Roger
and Mark have just been notified of a claim of adverse possession on
their property, effective the next day. Particles and Luck is the story
of the Halloween night they spend together trying to imagine how this
threat will materialize. Camped out amidst pieces of Roger's Naugahyde
furniture, warmed by a pile of Kingsford briquettes, marking boundary
lines with Oakland Raders pennants — this will be a night unlike
any other night in contemporary fiction. Loony, humane, and transcendently wise, Particles and Luck is
an irresistible comedy of manners and epistemology.
One experiences the characters with shifting feelings of tenderness and exasperation, hope and
despair. Hilarious ... gracefully written...[Jones] has created a
quirky but wholly real work in which to examine themes of fate and
coincidence in a seemingly effortless manner."
— Chicago Tribune
"A lovely
and invigorating novel...a domestic farce and social satire. Jones
writes [an] engaging novelistic equivalent of a unified field theory --
in this case, a link between the human heart and the behavior of
subatomic particles."
— Richard Eder, Los Angeles Times
"Jones is the real thing -- a writer with something to say and his own way of saying it."
— Scott Turow
"What
a smart novel "Particle and Luck" is. How good of Louis B. Jones
to remind us what a beautiful land -- a terra linda -- we live in, and
to remind us of the beautiful universe beyond."
— Carolyn See, New York Times Book Review
"Mr.
Jones has fulfilled the promise of his unusual first novel, "Ordinary
Money," about the real and the false in contemporary American culture,
as experienced by a man who lays his hands on a fortune in counterfeit
money so real that it can't be differentiated from the genuine. And he
has pointed the way for more good things to come."
— Christopher Lehmann-Haupt- New York Times
Read full New York Times review - April 1993
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| | | California's Over | | | | | |  From the Book Jacket:
California's Over
leads us down an unmarked road to the coast and then deep into the
rotten, labyrinthine house where James Farmican, the famous poet, shot
himself to death years ago, leaving behind a legacy of adulation and
bankruptcy. Now his family is leaving, and the young narrator —
who calls himself Baelthon — has been hired to haul the furniture
onto the lawn and sort through the attic and basement. But as Baelthon
excavates, he also discovers layers of family mystery and comedy and
cruelty, all of it piled too deeply for anyone to sort out: the
unexplained disappearance of Farmican's ashes, the unfinished novel
that may actually be his suicide note, the opera about cannibalism that
his son is writing to rescue himself from obscurity, and, finally, the
family's migration to the Nevada desert to claim their inheritance.
And
Baelthon discovers Wendy, Farmican's sixteen-year-old daughter, who
keeps her checkers pieces taped to the board where she and her father
left them before he died. Emerging from her chrysalis of baby fat and
self-loathing, Wendy is destined to be both the love of Baelthon's life
and the object of his betrayal.
Twenty-five
years later, from the perspective of mid- and middle-class life,
Baelthon recalls the mistaken selves he and the Farmicans once
inhabited. What he doesn't expect — or think he deserves —
is the redemption and abiding, against-all-odds love that await him.
"With
all due respect to Allen Ginsberg, California's Over is substantial
proof that Louis B. Jones is one of the best minds of our generation." — Amy Tan, author of The Joy Luck Club
"In
Louis B. Jones, as in no other writer working today, a sense of moral
outrage, that rare thing, is yoked, oddly and with extraordinary power,
to a thrilling gift for lyrical prose."
— Michael Chabon, author of Kavalier and Clay
The people are so human and written with so original a cunning that they are virtually worlds in themselves.
— Richard Eder
Louis B. Jones is a skillful satirist, who sees all, knows all, but who is never cruel.
— Newsweek
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